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Lemalei Et HaRik

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Lemalei Et HaRik

Lemalei Et HaRik

The feeling of emptiness is not a new phenomenon; it has accompanied humanity since its earliest days.

Throughout the generations, human beings have sought a sense of meaning in various โ€œidolsโ€: from those who worshipped natural forces or the baser desires of the soul, through religions that focused on the spiritual dimension and demanded withdrawal from everything else, to those devoted to modern secular ideologies - materialism, nationalism, or socialism.

In the 21st century, the sense of emptiness has reached a new peak. The great ideologies have been replaced by philosophical and cultural despair, which rejects any grand narrative or purpose greater than the individual self. This is a trend of disintegration: the breakdown of the family, of human reason and morality, and of the social order. Where meaning once resided, there is now a void.

Can the Book of Ecclesiastes, which opens with the timeless declaration โ€œVanity of vanities, all is vanity,โ€ and describes the futility of worldly life, fill this void? Can the ancient words of King Solomon provide an answer to modern emptiness?

Lemalei Et HaRik is a new reading of the ever-relevant words of this eternal scroll. Through a candid and penetrating portrayal of the fleeting and superficial aspects of our world, a horizon of stability, joy, and hope emerges. In a clear and engaging commentary, deeply connected to contemporary life, Rabbi Haggay Lundin illuminates the optimistic dimension of Ecclesiastes, showing how this very text- often initially read as an echo of despair -actually reconnects us to the meaning of existence and can serve as a compass in the turbulent life of modern man.

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ืชื—ื•ืฉืช ื”ืจื™ืงื ื•ืช ืื™ื ื ื” ืชื•ืคืขื” ื—ื“ืฉื”, ื”ื™ื ืžืœื•ื•ื” ืืช ื”ืื ื•ืฉื•ืช ืžืฉื—ืจ ื™ืžื™ื”. ืœืื•ืจืš ื”ื“ื•ืจื•ืช ื ื™ืกื• ื‘ื ื™ ื”ืื“ื ืœืžืฆื•ื ืชื—ื•ืฉืช ืžืฉืžืขื•ืช ื‘'ืืœื™ืœื™ื' ืฉื•ื ื™ื: ื”ื—ืœ ืžืืœื” ืฉืกื’ื“ื• ืœื›ื•ื—ื•ืช ื˜ื‘ืข ืื• ืœืชืื•ื•ืช ื’ืกื•ืช ืฉืœ ื”ื ืคืฉ, ื“ืจืš ื“ืชื•ืช ืฉื”ืชืžืงื“ื• ื‘ืžืžื“ ื”ืจื•ื—ื ื™ ื•ืชื‘ืขื• ื”ืชื ื–ืจื•ืช ืžื”ืฉืืจ, ื•ื›ืœื” ื‘ืžืชืžืกืจื™ื ืœืื™ื“ืื•ืœื•ื’ื™ื•ืช ืžื•ื“ืจื ื™ื•ืช ื—ื™ืœื•ื ื™ื•ืช โ€“ ย ื—ื•ืžืจื ื•ืช, ืœืื•ืžื™ื•ืช ืื• ืกื•ืฆื™ืืœื™ื–ื.

ื‘ืžืื” ื”ึพ21 ื”ื’ื™ืขื” ืชื—ื•ืฉืช ื”ืจื™ืงื ื•ืช ืœืฉื™ื ื—ื“ืฉ. ืืช ืžืงื•ืžืŸ ืฉืœ ื”ืื™ื“ืื•ืœื•ื’ื™ื•ืช ื”ื’ื“ื•ืœื•ืช ืชืคืก ื™ื™ืื•ืฉ ืคื™ืœื•ืกื•ืคื™ ื•ืชืจื‘ื•ืชื™, ื”ืžืกืชื™ื™ื’ ืžื›ืœ ืกื™ืคื•ืจึพืขืœ ืื• ื™ื™ืขื•ื“ ืฉื’ื“ื•ืœ ืžื”'ืื ื™' ื”ืคืจื˜ื™. ื–ื•ื”ื™ ืžื’ืžืช ืคื™ืจื•ืง: ืคื™ืจื•ืง ืฉืœ ื”ืžืฉืคื—ื”, ืฉืœ ื”ืจืฆื™ื•ื ืœ ื•ื”ืžื•ืกืจ ื”ืื ื•ืฉื™, ืฉืœ ื”ืกื“ืจ ื”ื—ื‘ืจืชื™. ื‘ืžืงื•ื ืฉื‘ื• ืฉื›ื ื” ื‘ืขื‘ืจ ื”ืžืฉืžืขื•ืช, ืฉื•ื›ืŸ ื›ื™ื•ื ืจื™ืง.

ื”ืื ืžื’ื™ืœืช ืงื”ืœืช, ื”ืคื•ืชื—ืช ื‘ืงื‘ื™ืขื” ื”ืืœืžื•ืชื™ืช "ื”ื‘ืœ ื”ื‘ืœื™ื ื”ื›ืœ ื”ื‘ืœ", ื•ืžืชืืจืช ืืช ืืคืกื•ืชื ืฉืœ ื—ื™ื™ ื”ืขื•ืœื ื”ื–ื”, ืžืกื•ื’ืœืช ืœืžืœื ืืช ื”ืจื™ืง ื”ื–ื”? ื”ืื ืžื™ืœื•ืชื™ื• ื”ืขืชื™ืงื•ืช ืฉืœ ืฉืœืžื” ื”ืžืœืš ืžืกื•ื’ืœื•ืช ืœื”ืขื ื™ืง ืœื ื• ืžืขื ื” ืœืจื™ืงื ื•ืช ื”ืžื•ื“ืจื ื™ืช?

ืœืžืœื ืืช ื”ืจื™ืง ื”ื•ื ืงืจื™ืื” ื—ื“ืฉื” ื‘ืžื™ืœื•ืชื™ื” ื”ืจืœื•ื•ื ื˜ื™ื•ืช ืžืชืžื™ื“ ืฉืœ ืžื’ื™ืœื” ื ืฆื—ื™ืช. ื‘ืืžืฆืขื•ืช ืชื™ืื•ืจ ื›ืŸ ื•ื ื•ืงื‘ ืฉืœ ื”ื—ื•ืœืฃ ื•ื”ื˜ืคืœ ืฉื‘ืขื•ืœืžื ื•, ืžืชื’ืœื” ืื•ืคืง ืฉืœ ื™ืฆื™ื‘ื•ืช, ืฉืžื—ื” ื•ืชืงื•ื•ื”. ื‘ื‘ื™ืื•ืจ ืจื”ื•ื˜ ื”ืžื—ื•ื‘ืจ ื”ื™ื˜ื‘ ืœื”ื•ื•ื™ื™ืช ื”ื—ื™ื™ื ื”ืขื›ืฉื•ื•ื™ืช, ืžืื™ืจ ื”ืจื‘ ื—ื’ื™ ืœื•ื ื“ื™ืŸ ืืช ืฆื“ื” ื”ืื•ืคื˜ื™ืžื™ ืฉืœ ืžื’ื™ืœืช ืงื”ืœืช, ื•ืžืจืื” ื›ื™ืฆื“ ื“ื•ื•ืงื ืžื’ื™ืœื” ื–ื•, ืฉืขืœื•ืœื” ืœื”ืชืคืจืฉ ื‘ืงืจื™ืื” ืจืืฉื•ื ื” ื›ื”ื“ื”ื•ื“ ืฉืœ ื™ื™ืื•ืฉ, ืœืžืขืฉื” ืžื—ื‘ืจืช ืื•ืชื ื• ืœืžืฉืžืขื•ืช ื”ืงื™ื•ื, ื•ื™ื›ื•ืœื” ืœืฉืžืฉ ื›ืžืฆืคืŸ ื‘ื—ื™ื™ื• ื”ืกื•ืขืจื™ื ืฉืœ ื”ืื“ื ื›ื™ื•ื.ย 

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The feeling of emptiness is not a new phenomenon; it has accompanied humanity since its earliest days.

Throughout the generations, human beings have sought a sense of meaning in various โ€œidolsโ€: from those who worshipped natural forces or the baser desires of the soul, through religions that focused on the spiritual dimension and demanded withdrawal from everything else, to those devoted to modern secular ideologies - materialism, nationalism, or socialism.

In the 21st century, the sense of emptiness has reached a new peak. The great ideologies have been replaced by philosophical and cultural despair, which rejects any grand narrative or purpose greater than the individual self. This is a trend of disintegration: the breakdown of the family, of human reason and morality, and of the social order. Where meaning once resided, there is now a void.

Can the Book of Ecclesiastes, which opens with the timeless declaration โ€œVanity of vanities, all is vanity,โ€ and describes the futility of worldly life, fill this void? Can the ancient words of King Solomon provide an answer to modern emptiness?

Lemalei Et HaRik is a new reading of the ever-relevant words of this eternal scroll. Through a candid and penetrating portrayal of the fleeting and superficial aspects of our world, a horizon of stability, joy, and hope emerges. In a clear and engaging commentary, deeply connected to contemporary life, Rabbi Haggay Lundin illuminates the optimistic dimension of Ecclesiastes, showing how this very text- often initially read as an echo of despair -actually reconnects us to the meaning of existence and can serve as a compass in the turbulent life of modern man.

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ืชื—ื•ืฉืช ื”ืจื™ืงื ื•ืช ืื™ื ื ื” ืชื•ืคืขื” ื—ื“ืฉื”, ื”ื™ื ืžืœื•ื•ื” ืืช ื”ืื ื•ืฉื•ืช ืžืฉื—ืจ ื™ืžื™ื”. ืœืื•ืจืš ื”ื“ื•ืจื•ืช ื ื™ืกื• ื‘ื ื™ ื”ืื“ื ืœืžืฆื•ื ืชื—ื•ืฉืช ืžืฉืžืขื•ืช ื‘'ืืœื™ืœื™ื' ืฉื•ื ื™ื: ื”ื—ืœ ืžืืœื” ืฉืกื’ื“ื• ืœื›ื•ื—ื•ืช ื˜ื‘ืข ืื• ืœืชืื•ื•ืช ื’ืกื•ืช ืฉืœ ื”ื ืคืฉ, ื“ืจืš ื“ืชื•ืช ืฉื”ืชืžืงื“ื• ื‘ืžืžื“ ื”ืจื•ื—ื ื™ ื•ืชื‘ืขื• ื”ืชื ื–ืจื•ืช ืžื”ืฉืืจ, ื•ื›ืœื” ื‘ืžืชืžืกืจื™ื ืœืื™ื“ืื•ืœื•ื’ื™ื•ืช ืžื•ื“ืจื ื™ื•ืช ื—ื™ืœื•ื ื™ื•ืช โ€“ ย ื—ื•ืžืจื ื•ืช, ืœืื•ืžื™ื•ืช ืื• ืกื•ืฆื™ืืœื™ื–ื.

ื‘ืžืื” ื”ึพ21 ื”ื’ื™ืขื” ืชื—ื•ืฉืช ื”ืจื™ืงื ื•ืช ืœืฉื™ื ื—ื“ืฉ. ืืช ืžืงื•ืžืŸ ืฉืœ ื”ืื™ื“ืื•ืœื•ื’ื™ื•ืช ื”ื’ื“ื•ืœื•ืช ืชืคืก ื™ื™ืื•ืฉ ืคื™ืœื•ืกื•ืคื™ ื•ืชืจื‘ื•ืชื™, ื”ืžืกืชื™ื™ื’ ืžื›ืœ ืกื™ืคื•ืจึพืขืœ ืื• ื™ื™ืขื•ื“ ืฉื’ื“ื•ืœ ืžื”'ืื ื™' ื”ืคืจื˜ื™. ื–ื•ื”ื™ ืžื’ืžืช ืคื™ืจื•ืง: ืคื™ืจื•ืง ืฉืœ ื”ืžืฉืคื—ื”, ืฉืœ ื”ืจืฆื™ื•ื ืœ ื•ื”ืžื•ืกืจ ื”ืื ื•ืฉื™, ืฉืœ ื”ืกื“ืจ ื”ื—ื‘ืจืชื™. ื‘ืžืงื•ื ืฉื‘ื• ืฉื›ื ื” ื‘ืขื‘ืจ ื”ืžืฉืžืขื•ืช, ืฉื•ื›ืŸ ื›ื™ื•ื ืจื™ืง.

ื”ืื ืžื’ื™ืœืช ืงื”ืœืช, ื”ืคื•ืชื—ืช ื‘ืงื‘ื™ืขื” ื”ืืœืžื•ืชื™ืช "ื”ื‘ืœ ื”ื‘ืœื™ื ื”ื›ืœ ื”ื‘ืœ", ื•ืžืชืืจืช ืืช ืืคืกื•ืชื ืฉืœ ื—ื™ื™ ื”ืขื•ืœื ื”ื–ื”, ืžืกื•ื’ืœืช ืœืžืœื ืืช ื”ืจื™ืง ื”ื–ื”? ื”ืื ืžื™ืœื•ืชื™ื• ื”ืขืชื™ืงื•ืช ืฉืœ ืฉืœืžื” ื”ืžืœืš ืžืกื•ื’ืœื•ืช ืœื”ืขื ื™ืง ืœื ื• ืžืขื ื” ืœืจื™ืงื ื•ืช ื”ืžื•ื“ืจื ื™ืช?

ืœืžืœื ืืช ื”ืจื™ืง ื”ื•ื ืงืจื™ืื” ื—ื“ืฉื” ื‘ืžื™ืœื•ืชื™ื” ื”ืจืœื•ื•ื ื˜ื™ื•ืช ืžืชืžื™ื“ ืฉืœ ืžื’ื™ืœื” ื ืฆื—ื™ืช. ื‘ืืžืฆืขื•ืช ืชื™ืื•ืจ ื›ืŸ ื•ื ื•ืงื‘ ืฉืœ ื”ื—ื•ืœืฃ ื•ื”ื˜ืคืœ ืฉื‘ืขื•ืœืžื ื•, ืžืชื’ืœื” ืื•ืคืง ืฉืœ ื™ืฆื™ื‘ื•ืช, ืฉืžื—ื” ื•ืชืงื•ื•ื”. ื‘ื‘ื™ืื•ืจ ืจื”ื•ื˜ ื”ืžื—ื•ื‘ืจ ื”ื™ื˜ื‘ ืœื”ื•ื•ื™ื™ืช ื”ื—ื™ื™ื ื”ืขื›ืฉื•ื•ื™ืช, ืžืื™ืจ ื”ืจื‘ ื—ื’ื™ ืœื•ื ื“ื™ืŸ ืืช ืฆื“ื” ื”ืื•ืคื˜ื™ืžื™ ืฉืœ ืžื’ื™ืœืช ืงื”ืœืช, ื•ืžืจืื” ื›ื™ืฆื“ ื“ื•ื•ืงื ืžื’ื™ืœื” ื–ื•, ืฉืขืœื•ืœื” ืœื”ืชืคืจืฉ ื‘ืงืจื™ืื” ืจืืฉื•ื ื” ื›ื”ื“ื”ื•ื“ ืฉืœ ื™ื™ืื•ืฉ, ืœืžืขืฉื” ืžื—ื‘ืจืช ืื•ืชื ื• ืœืžืฉืžืขื•ืช ื”ืงื™ื•ื, ื•ื™ื›ื•ืœื” ืœืฉืžืฉ ื›ืžืฆืคืŸ ื‘ื—ื™ื™ื• ื”ืกื•ืขืจื™ื ืฉืœ ื”ืื“ื ื›ื™ื•ื.ย 

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